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starry starry nights

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Starry, starry night Paint your palette blue and gray Look out on a summer's day With eyes that know the darkness in my soul Shadows on the hills Sketch the trees and the daffodils Catch the breeze and the winter chills In colors on the snowy linen land Now, I understand, what you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen, they did not know how Perhaps they'll listen now Starry, starry night Flaming flowers that brightly blaze Swirling clouds in violet haze Reflect in Vincent's eyes of china blue Colors changing hue Morning fields of amber grain Weathered faces lined in pain Are soothed beneath the artist's loving hand Now, I understand, what you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen, they did not know how Perhaps they'll listen now For they could not love you Bu

the shaman girl's prayer ... via john coulthart's "feuilleton" website

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https://www.youtube.com/watch?v=5-0KPS1ZzDw

no information ...

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cris campbell's "genealogy of religion" blog is always worth a visit for a spot of lucid and learned perspective

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http://genealogyreligion.net/

psilocybin and dream states ... how magic mushrooms induce a dream-like state

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http://www.newscientist.com/article/dn25853-how-magic-mushrooms-induce-a-dreamlike-state.html#.U7wuA_ldV8E http://onlinelibrary.wiley.com/doi/10.1002/hbm.22562/full

"The Day Before the Beginning of Spring"

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c. 1790 Katsushika Hokusai ( Japan ,  Asia ) Woodblock print (nishiki-e); ink and color on paper 8 3/8 x 6 in. (21.2 x 15.3 cm) (image, sheet) 17 15/16 x 14 in. (45.56 x 35.56 cm) (mat, Size I) Gift of Louis W. Hill, Jr.  P.78.64.16.3  For this print, Hokusai was inspired by a play dramatizing a popular ritual performed on setsubun, the eve of the first day of spring in the old lunar calendar. On this day, people in Japan scatter dried beans in their houses to drive out bad luck. In the play, a demon personifies an evil spirit who has come into a widow's house, even though she had created a protective talisman. The clever woman offers the demon sake (rice wine) and he soon becomes drunk. In the end, she successfully drives him away by throwing beans at him. For this print, Hokusai depicted the last scene, with the woman holding her box of beans and the demon on bended knee clutching at her. The

this lady pays reluctant lip-service to the basic overlap between the stripped-back neurophysiology of exhaustion and some commonly felt transcendent experiences ... lone pine in the owens valley seems an appropriate location for her experience, being surrounded by traces of ancient shamanistic cultures ... both pictures by the indefatigable ian parker

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link to barbara ehrenreich's article ... http://www.theguardian.com/books/2014/apr/18/barbara-ehrenreich-atheist-religious-encounter-living-with-a-wild-god link to ian parker's photography ... http://parkerlab.bio.uci.edu/nonscientific_adventures/alabama_hills.htm